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ANNE Deed ONE: THE ORPHANAGE SCENE opens tardily ane dark. A cop auto pulls into frame aswellas parks beside a big residential complex. The driver door opens, aswellas a uniformed officer gets out, adjusting himself inadditionto sauntering upwardly the forepart steps. A plaque on the door reads: The Hands Transition House for Wayward Girls. No i answers when he knocks, so the officer lets himself inward. Cutting TO: Within the complex. The officer walks downwardly a darkened hallway towards the main businessoffice of Mr. Hands. His transitional facility is a regime sponsored orphanage that, according to tell regulations, is supposed to release its orphans inonecase they turn xviii. But, Mr. Hands has discovered a much morethan lucrative way to retain them. He has built a secret room inward the dorsum of his belongings where he moves the girls onetime they comeup of age. Atthatplace, he tin hold them occupied to backup his other businessorganisation ventures togetherwith no ane from the establishment ever needs to know. But the officer knows. That is why he is hither. He has been accepting bribes for years. When he enters the businessoffice, he walks inward on Mr. Hands, dressed inwards a smoking jacket, receiving a blowjob from ane of his girls. The 18- year- old orphan is unclean inadditionto half- naked, resting on her hands inadditionto knees to service the corrupt proprietor. She doesn' t fifty-fifty appear upwards as Mr. Hands casually invites the officerto sitdown downwards. ' Sorry, I didn' t wait you tonight! He laughs. The officer is used to the man' s finish lack of discretion aswellas curtly requests his monthly envelope. As he easy takes it out of his pocket, Mr. Hands boasts to the officer about businessorganisation. He has a fresh acquisition: an 18- year- old orphan named Anne. The cutie had been dumped on his doorstep years agone inadditionto grew upward inward the orphanage. Despite beingness abandoned, she still holds out the nau00efve hope that ane solarday her honey parents testament homecoming, fifty-fifty wearing a broken necklace left for her by her mother! Their conversation is intercut with tightly cropped shots of Anne b.
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